

When Rossini reimagined Cinderella as a comic opera, in which goodness triumphs through song.
May 19, 2005
2h 36m
IT
Robin Lough
In late 18th-century Italy, in the mansion of Don Magnifico, the young and pretty Angelina works as a maid. Teased by her two frivolous half-sisters, Clorinda and Tisby, Angelina believes she is in love with a young valet and goes to the ball. Dressed in her finest finery, she meets the man who is in fact the Prince and flees from him after giving him a bracelet that will allow him to recognise her a little later. The masks come off, and kindness and love triumph! ‘La Cenerentola’ is the last opera buffa composed by Gioachino Rossini for an Italian audience. A dramma giocoso in two acts, with a libretto by Jacopo Ferretti, freely adapted from Charles Perrault’s fairy tale ‘Cinderella’ (1697), omitting the magic in favour of a realism tinged with humour and social criticism. Premiered for the Rome Carnival at the Teatro Valle in Rome on 28 January 1817. Recorded live at Glyndebourne Opera, Lewes, East Sussex, on 2 and 4 June 2005.

Ruxandra Donose
Angelina (Cenerentola)

Luciano di Pasquale
Don Magnifico



Jacopo Ferretti
1
Maxim Mironov
Prince Don Ramiro

Simone Alberghini
Dandini

Raquela Sheeran
Clorinda

Lucia Cirillo
Tisbe

Nathan Berg
Alidoro

Vladimir Jurowski
Conductor

The Glyndebourne Chorus
Chorus

London Philharmonic Orchestra
Orchestra

Opus Arte
GB
Glynbourne
N/A
Glyndebourne Festival Opera
N/A