Who loves whom in Così fan tutte, Mozart’s and Da Ponte’s cruelly comic reflection on desire, fidelity and betrayal? Or have the confusions to which the main characters subject one another ensured that in spite of the heartfelt love duets and superficially fleetfooted comedy nothing will work any longer and that a sense of emotional erosion has replaced true feelings? Così fan tutte is a timeless work full of questions that affect us all. The Academy Award-winning director Michael Haneke once said that he was merely being precise and did not want to distort reality. In only his second opera production after Don Giovanni in 2006, he presents what ARTE described as a “disillusioned vision of love in an ice-cold, realistic interpretation”.
Sylvain Cambreling
Self - Conductor
Anett Fritsch
Fiordiligi
Paola Gardina
Dorabella
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June 21, 2013
3h 21m
6.8
Hannes Rossacher
Lorenzo da Ponte
10
Teatro Real de Madrid
ES
Juan Francisco Gatell
Ferrando
Andreas Wolf
Guglielmo
Kerstin Avemo
Despina
William Shimell
Don Alfonso
Michael Haneke
Self - Mise en scène
Wolfgang Amadeus Mozart
Self - Composer
Coro del Teatro Real de Madrid
Self - Chorus
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