In Gossette (1923), Dulac experimented with and designed a number of special lenses and prisms to produce a variety of effects and multiply the expressive means which translate the characters' visions and mental states. She also reversed class and gender roles, as she made the female character Gossette come to the aid of Phillipe de Savières, falsely accused of murder, in order to save his name.
Régine Bouet
Gossette
Maurice Schutz
Comte de Savières
Jean-David Évremond
Robert de Tayrac
Monique Chrysès
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December 21, 1923
4h 57m
6.0
Germaine Dulac
Charles Vayre
2
Société des Cinéromans
FR
Films de France
FR
Madame Dornay
Madeleine Guitty
Madame Bonnefoy
Jeanne Brindeau
Comtesse de Savières
Jean d'Yd
Maître Varadès
Mario Nasthasio
Andriano
Paul Menant
Chauffeur
Georges Charlia
Philippe de Savières
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