Cinema and painting establish a fluid dialogue and begins with introspection in the themes and forms of the plastic work of a woman tormented by the elongated specters, originating from her obsessions and nightmares.
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Leonora Carrington o el sortilegio irónico
February 9, 1965
N/A
9.5
Felipe Cazals
William Blake, Julio Cortázar, Carlos Fuentes
2
Instituto Nacional de Bellas Artes
MX
